ABOUT ME

A young woman, Norwegian artist, wearing a white t-shirt with a colorful abstract face print and black ripped jeans, is sitting on a chair in an art studio, holding a cup, with shelves, art supplies, and a work table in the background.

Heya! I’m Giedre, Lithuanian artist, based in Oslo, Norway.

Creativity has always been a kind of pressure inside me — something that needs to move, explore, and take form. I’ve tried many ways of expressing it over the years, but painting was the medium that felt the most natural.

I’ve learned through classical and modern art literature, private painting courses, workshops, and a lot of trial and error. At the same time, I studied psychology, which became another important thread in how I see the world. That interest in the human mind shapes the way I paint and see — the motives and the shifting perspectives in my artwork.

I’m still evolving, and I hope I never stop. This space is simply where I share that journey — the searching, the experimenting, and everything that comes from being curious enough to start again and again.

A woman with long hair tied back, sitting at a table in an art studio or gallery, looking down with a contemplative expression. Behind her on the wall are four abstract, stylized portrait paintings. The room has a plant with broad leaves on a wooden stand and some papers or art prints on the table.

ABOUT MY WORK

My paintings sit somewhere between intuitive abstraction and cubism-inspired forms. Faces and figures appear often, and I like that they can be found in different ways depending on how you look — almost like shifting thoughts and moods. There’s a hint of figurative, but I use it loosely. It’s more intuitive, emotional, and organic.

I work mainly with acrylic or oil paint, and mixed media. Layering colours and textures until it feels right. A lot of my process is trial, adjustment, and instinct — adding, removing, finding shapes, the right amount of texture and letting the painting guide me rather than the other way around.

Psychology plays a role here too — the idea that we’re made of many perspectives, not just one clear outline.

My goal isn’t to deliver a perfect, polished image. It’s to create something that feels alive, a bit raw, and open for interpretation. If my work makes someone pause, reflect and see something new — or see themselves differently for a moment — then it has done what it’s meant to do.